VISUAL NOTES
In my life experience as a plastic and visual artist, I have come to understand that every person who practices this profession lives in a constant state of experimentation and investigation of the realm of the symbolic and the environment that composes it. It is in this order that I understand photographic practice and approach it from two specific perspectives: first, as an exercise in self-awareness of the subjective gaze, where I freely capture images to shape a visual diary; and second, by taking photographic practice as a process of ocular-centric reading of 'reality,' I incorporate it as one of the tools that shape my methodology of visual research in some of my projects.
This is how this photographic log has turned out to be an important element for me from these two perspectives, as in it, I have been able to identify at the moment of seeing the set of results of my shots that the scenes I usually portray extend an intimate gaze that, from light and shadow, frames small and minimal winks of a monotonous reality in the everyday environment, winks that saturate this reality and that in this saturation go almost unnoticed. In many cases, I seek for what I portray to be abstracted from its direct referent and become an autonomous scenario. I also find that I have a constant fixation with the landscape and the clouds, and a singular affection for those moments where color manifests itself, or where the rhythm of shapes becomes visual texture.
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