Installation that spreads in an area of the exhibition space, a set of real scale human body shaped pieces. Piece made in raw porcelain with the usage of molds taken from mannequins (female body and male body), broken into pieces of multiple sizes with all its parts arranged in a disorderly way on the floor, delivers a metaphor of the broken bodies, unable to decide what to do in their lives by the predetermined social conditions since before birth, reason why the porcelain is raw without even the first burn. Feets and hands are the most realistic parts of the whole set, so they are the main point of the piece, being their intention to emphasize that feets support the body and hands do the fine and detailed jobs in the economy of the working bodies, which, in addition, in many cases determine and reveal the work of each person, according to class, race and gender.
This piece shares title with the sixth and last work made with denim, which together close the exhibition's narrative. This quote is, in fact, an excerpt from the signs that hang in stores and businesses to enunciate and let consumers and the general public know that as an establishment they "do not discriminate":
This establishment does not discriminate on the basis of race, religion, sexual orientation, physical or socioeconomic status, or on any other basis.
Raw porcelain ceramic pieces installation
2017 © Claudia Uranga Alonso
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